However, the scope of this analysis is not on the adaptation of Shakespeare’s Romeo and Juliet (1597) or to show the similarities and differences between the play and the film, rather, the analysis is on how Luhrmann used codes and conventions to make meaning of Romeo + Juliet to the demands of contemporary young teenage audience and how Luhrmann fulfilled this aim. The former is a modern cinematic adaptation of William Shakespeare’s play Romeo and Juliet (1597) which received both favourable and adverse criticisms. Second, the application of codes and conventions to coming-of-age genre films is discussed with reference to Baz Luhrmann’s production of William Shakespeare’s “ Romeo and Juliet” (1996) alias Romeo + Juliet and an Australian Film, Kate Wood’s “ Looking for Alibrandi” (2000). First, a theoretical review of film terminology, codes and conventions is shown. The coming-of-age genre is analysed with a focus on codes and conventions in films. The stages of production and postproduction measure the success of films. Analysis of a film text warrants a thorough understanding of the genre, and the codes and conventions used in the film to gauge the effectiveness of the film.
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